[I also skipped quotation marks and dialog tags. They may or may not go back. I kind of like the ambiguity.]
[Barbara has collected stacks of notes and is reading from them as she and her Aunt Sheila sit on a log in a meadow an undetermined distance away from nearby houses. The point of their exercise is to enter things into a database and throw the pieces of paper away.]
There’s a picture of a saint holding a traffic cone.
I like that. Someone
did that for me. It has sentimental
value. You can roll your eyes as much as you like, until I remember who did it,
it stays
This might be a poem
short
abbreviated, abridged, curtailed, decurtate
deficient, inadequate, insufficient, exiguous
inconsiderate, thoughtless, unceremonious, ungracious
compact, pointed
abrupt, forthwith, sudden
monosyllabic
Not a poem. More of
an arrangement. Those are all long words
meaning short.
Ah, irony
yes
recreational irony
got it
Rapunsel
." Such limestone beasts are the human-headed, winged
bull and lion
pictured here. The horned cap attests to their divinity, and the belt
signifies their power. The sculptor gave these guardian figures five
legs so that they appear to be standing firmly when viewed from the
front but striding forward when seen from the side. These lamassi
protected and supported important doorways in Assyrian palaces.
--------------
The name lamassu is problematic. The Sumerian word lama, which is rendered in Akkadian as lamassu, refers to a protective deity, who is usually female. She is often shown as a standing figure that introduces guests to another god. Her male counterpart is called alad or, in Akkadian, *êdu.
During the Neo-Assyrian Empire (c.883-612), monumental bulls, often with wings and always with human heads, were placed as gateway guardians at the entrances of royal palaces. The general idea behind them was that they warded off evil. (In jargon: they were apotropaic figures.) Usually, they have five legs. Lion-bodied protective deities are also known, and are usually called "sphinxes".
--------------
The name lamassu is problematic. The Sumerian word lama, which is rendered in Akkadian as lamassu, refers to a protective deity, who is usually female. She is often shown as a standing figure that introduces guests to another god. Her male counterpart is called alad or, in Akkadian, *êdu.
During the Neo-Assyrian Empire (c.883-612), monumental bulls, often with wings and always with human heads, were placed as gateway guardians at the entrances of royal palaces. The general idea behind them was that they warded off evil. (In jargon: they were apotropaic figures.) Usually, they have five legs. Lion-bodied protective deities are also known, and are usually called "sphinxes".
Yes! I need to save
that for the story.
The one that you’re not writing.
I do not care. I like
the story.
your database
There’s a bunch of cut and past stuff with the title
Petitioning the Muse.
That’s a short . . thing.
Thing.?
I want to write up a petition to my muse and take it out to
collect signatures.
Barbara smiled slowly.
You write it, I’ll video it.
Deal
that goes under projects, then
cool
This one says pantoum
Though rhyming hooks the mind and sticks
|
The words to mind for keeping hold,
|
It, and a poet's other tricks,
|
Are scorned as being stale and old.
|
The words to mind for keeping hold
|
Of honor, once thought soul's own prize,
|
Are scorned as being stale and old
|
And hidden, now, from prying eyes.
|
Of honor, once thought soul's own prize
|
Only old poets write, their quills
|
Are hidden, now, from prying eyes
|
In faded ink, their knowing spills.
|
Only old poets write, their quills
|
Are hushed, they fly like winter geese.
|
In faded ink, their knowing spills
|
Like falling down.
For memories
|
Are hushed, they fly like winter geese.
|
Poems don't rhyme, they walk like prose,
|
Like falling down.
For memories
|
Build slowly, so the thinking goes.
|
Poems don't rhyme, they walk like prose,
|
Create an image, burnish it
|
Build slowly, so the thinking goes
|
To gleaming. Let the mind submit
|
Creative image; burnish it
|
With feathers, left by birds who've flown.
|
To gleaming, let the mind submit
|
Yet never plot these words to own.
|
With feathers left by birds, who've flown
|
From labyrinths and never fell?
|
Yet never plot these words. To own
|
Their meaning is to make a spell
|
From labyrinths and never fell?
|
Yet never plot these words. To own
|
Their meaning is to make a spell
|
It’s an old style poem.
I don’t think it has an end yet
I’ll put it under projects
OK
This one has a few notes - Marketing Ploys,
shrink proof wrapping
building inspection
zombies
then there’s what looks like the beginning of a story
could you read it for me?
sure
On a dusty brick shelf in a dusty brick alcove sat an
oversized coat button and a three by five card with the words DEPRESS BUTTON
written on it in neat block letters. At
least Summermoon thought of it as an alcove, though she would not have objected
if another person thought of it as a porch or an entryway. At least she would not have objected if there
were a door at the end of it. Currently
there was just the shelf with its two display items
[Barbara continues reading for awhile. You'll find it with the hyperlink or by searching for Third Beginning.]
I think I have more of that somewhere else. They didn’t even get inside.
How do they get inside?
She yells at the button, dissing on it mightily until it
becomes depressed
that’s bad
very bad – it’s a short story, though
so it goes under projects
if you like
this next on is like a fragment – no title
There aren't any real goths in Stockton, but Web
comes close if you catch him in dim light. His slut of a mom never did
him any favors and naming him Weber was the first sign that she was going to
screw that baby over. I've tried to convince him that the name means that
he was conceived on the ground next to a cheap barbeque; but for all his
skepticism, this is one point on which he needs hope to spring eternal.
He was sitting inside at Sid's, eating oatmeal with no sugar. The OJ was already finished, of course, because he always drank it first, slowly. He probably took exactly the same number of sips every day. The glass of milk was untouched. He didn't like it cold and would only begin on it after the oatmeal. He was wearing black trousers with an ironed-in crease, a black polo shirt, white socks, and black boots. You couldn't see the socks, of course, but I've known Web long enough to have heard the lecture on dyes next to your skin in intimate places more than once. So I knew the socks were white. I didn't know why feet were intimate places, but I've learned to leave monologs alone. If you ever get the chance to ask, feel free to prolong the experience.
-------
He was sitting inside at Sid's, eating oatmeal with no sugar. The OJ was already finished, of course, because he always drank it first, slowly. He probably took exactly the same number of sips every day. The glass of milk was untouched. He didn't like it cold and would only begin on it after the oatmeal. He was wearing black trousers with an ironed-in crease, a black polo shirt, white socks, and black boots. You couldn't see the socks, of course, but I've known Web long enough to have heard the lecture on dyes next to your skin in intimate places more than once. So I knew the socks were white. I didn't know why feet were intimate places, but I've learned to leave monologs alone. If you ever get the chance to ask, feel free to prolong the experience.
-------
That’s part of Invasive Species, a story. It starts out with the main character meeting
Sid, then he goes to get breakfast the next day, then I think he meets Web.
Books I haven’t.
Yup.
There’s one with a bunch of quotes about hope.
I wanted to do an exploration of the theme of hope in
Pratchett’s Going Postal.
And you needed to research other themes of hope
Yes. I didn’t get
far. I bought a book about hope in Johnson’s
work, but didn’t slog through very far.
Projects. It may be
awhile before we get to it.
Here’s another poem
[Aaaand the conversation will continue later. Yes, you'll see more of the no goths in Stockton beginning later.]
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